Makkhi
By Taran Adarsh, 9 Oct 2012, 15:02 hrs IST
Roman
Polanski, the acclaimed storyteller, once remarked: 'Cinema should make you
forget you are sitting in a theatre.' S.S. Rajamouli's MAKKHI, the dubbed Hindi
version of the Telugu blockbuster hit EEGA, does exactly that. Original,
inventive, innovative and imaginative, MAKKHI raises the bar of films made in
India.
Right
from Bimal Roy's MADHUMATI and L.V. Prasad's MILAN to Subhash Ghai's KARZ,
Chetan Anand's KUDRAT, Shakti Samanta's MEHBOOBA, Rakesh Roshan's KARAN-ARJUN,
Sanjay Gupta's HAMESHAA and Farah Khan's OM SHANTI OM, reincarnation tales were
all about the lead man getting reborn in human form. In fact, Rajamouli's
historic hit MAGADHEERA [Telugu] also tackled the theme of reincarnation. But
the acclaimed director gives a new spin to the reincarnation theme in MAKKHI.
Nani, the lover boy, is reborn as a fly. That's where the film triumphs. It
gives 'out of the box' phrase a completely new meaning!
At a time
when most dream merchants in Bollywood are concentrating on mindless
entertainers that kiss goodbye to logic, Rajamouli strikes the right balance
between logic and entertainment in MAKKHI. The scale of the film is colossal,
the plot is invigorating and the outcome leaves you mesmerized. Rajamouli
targets not just the kids, but the kid in every adult and you can't help but
root for the fly as it seeks vengeance from the cold-blooded and hardhearted
assassin.
A
technical wonder, the computer generated fly is, without doubt, the star of the
show. And its creator, Rajamouli, a sheer genius for creating a film that
sweeps you off your feet and leaves you awe-struck.
MAKKHI is
the story of Jani [Nani] and Bindu [Samantha Prabhu], who are in love but never
communicate their feelings to each other. Sudeep [Sudeep], a billionaire, gets
attracted to Bindu and wants to possess her, but realizes she is in love with
Jani, which upsets him. Ironically, the moment Bindu expresses her love to
Jani, Sudeep murders him. Jani is reborn as a fly…
Unlike
most times when I forewarn my readers to leave their brains at home, I'd like
to pronounce that you need to wear your thinking caps while watching MAKKHI.
Although the genre [reincarnation] is done to death, the writing takes the
riskier route to woo the spectator. Expect no shortcuts here, expect no
formulaic sub-plots that you generally associate with films of its ilk. MAKKHI
is a completely new experience once the soul migrates into an unborn fly and
the dance of revenge commences. An itsy-bitsy fly torments the baddie and how!
A number
of sequences leave you tongue-tied and I would not like to play the spoilsport
by revealing the gist. All I'd say is that MAKKHI is one roller coaster ride
with no dull, tedious or mind-numbing moment. The highpoint is the concept: A
tiny insect taking on a mighty human, sending shivers down his spine, first
ruining his peace and later, existence. The writing is smart and clever, the
episodes are ingeniously integrated in the screenplay and the culmination to
the tale leaves you spellbound. I'd go the extent of saying that MAKKHI has an
unfaultable start, immaculate middle and impeccable end, which is a rarity as
far as Indian films go.
Technically
speaking, MAKKHI is a marvel. The computer generated fly does everything that a
human does, which includes the shortcomings as well. The graphic designers at
Makuta VFX deserve brownie points for creating an insect that's immensely
endearing and also enormously convincing as it takes on the antagonist. M.M.
Kreem's musical score is just perfect. 'Arre Arre' is melodious and comes easy
on the lips, while 'Naam Apun Ka Jani' is energetic and bouncy. The background
score is electrifying. Cinematography [K.K. Senthil Kumar] is top notch. The
frames are spectacular. The Hindi dubbing is near-perfect.
Sudeep is
remarkable as the lecherous, merciless adversary. He's most menacing in a role
that must've been a herculean task to accomplish. He had to react to a fly
[which was non-existent while filming] and get the actions and reactions right.
Samantha is wonderfully restrained, while Nani is charming in a brief but
significant role.
On the
whole, MAKKHI is a landmark film. You ought to watch certain films in your
lifetime. MAKKHI is one of those films. For choosing a crackling idea, for
executing it with panache and for taking Indian cinema to the next level, I
doff my hat to you, Mr. S.S. Rajamouli.
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